gillian wearing masks

“En su obra, Gillian Wearing se ha enfocado repetidamente en las expresiones del ser de las personas en situaciones construidas. Lisa Williamson. Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask Hardcover – April 25, 2017 by Sarah Howgate (Author), Dawn Ades (Contributor) 4.7 out of 5 stars 5 ratings. But I didn't have the upbringing where I got to know [my father] that well." This Turner Prize winner’s remarkable works draw on fly-on-the-wall documentaries, reality TV and the techniques of theatre, to explore how we present ourselves to the world. I will never finish removing all these faces.” Claude Cahun, 1930 This exhibition brings together for the first time the work of French artist Claude Cahun and British contemporary artist Gillian Wearing. Gillian Wearing. A face wearing a mask over mouth and nose greets you as you enter Gillian Wearing’s exhibition Lockdown. A Masked face over mouth and nose greets you as you enter Gillian Wearing’s Lockdown exhibit. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. … In her “Family Portrait” series, Wearing uses custom silicone masks, era-specific wigs, and makeup to transform herself into her mother and father. Wearing’s employment of physical, virtual, and cultural masks in the seven works selected for Life: Gillian Wearing destabilize our shared commercial, vernacular, and art historical image archives, connecting to the theme of this year’s FotoFocus Biennial, “Open Archive.” … This is the second version of a work of the same name that was originally produced by the British artist Gillian Wearing in London in 1994. Visits to the gallery require an advance appointment. Gillian Wearing and Sarah Howgate, “Gillian Wearing in conversation with Sarah Howgate,” in Gillian Wearing and Claude Cahun: Behind the Mask Another Mask (London: National Portrait Gallery Publications, 2017), 171.; Claude Cahun, Aveux non avenus (Paris: Éditions du Carrefour, 1930).For an English translation: Disavowals, trans. “Under this mask, another mask. See all formats and editions Hide other formats and editions. Gillian Wearing Mask Masked fabric mask, wax sculpture, steel rod and wooden plinth 56 x 14 x 10 cm 22 x 5 1/2 x 3 7/8 inches plinth: 92 x 38 x 28 cm 2020. 2011. Susan de Muth (London: Tate, 2007), 6. Gillian Wearing is represented by Maureen Paley, London Tanya Bonakdar, New York and Regen Projects, Los Angeles. Chromogenic color print. Wearing’s new work is part of the exhibition Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask. To this end she has gyrated wildly in a Peckham shopping mall to music in her head, had adults lip-synch the fantasies and fears of children, and invited strangers to don masks and confess their innermost desires on camera. On 9 March, the National Portrait Gallery opened Behind the Mask, Another Mask – a large exhibition of Gillian Wearing’s work in relation to the practice of French surrealist artist Claude Cahun. In "People," her first New York solo exhibition since 2003, Gillian Wearing presented a wide range of tremendously engaging recent photo-based portraiture. 23 No.5, p. 96-97 “Photographer and Video Artist Gillian Wearing Takes a Self-Portrait While Wearing a Mask of Her Own Face”, VICE, August 30, 2016, [online] “Artist Gillian Wearing Presented With Birmingham City … The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives. 28 March – 17 June 2012. Shortlisted for a major European art award, the Royal Academician tells us about her recent work on show in The Hague. We ask all visitors to wear a mask and adhere to social distancing requirements. [17] Masks and role play have been recurring devices in Wearing’s portraiture, for which she’s transformed into the likes of Meret Oppenheim, Eva Hesse, and Andy Warhol in drag. 521 West 21st Street New York, NY 10011. t: 212 414 4144 ... 380 7172. losangeles@tanyabonakdargallery.com. In 2012, Wearing made a portrait of herself as the late French artist in which she is holding a mask of her own face. Price New from Used from Hardcover "Please retry" $39.50 . Become a member today » Gillian Wearing, “My … Se interesa por el comportamiento y perspectiva de la gente desde las más variadas avenidas de la existencia: desde los desarraigados a los … Gillian Wearing’s Masked Confessions Support Hyperallergic’s independent arts journalism. Sabrina Barr Friday 22 Jan 2021 10:18 pm. Instagram, opens in a new tab. Follow Gillian on Twitter @gilliantett and email her at gillian.tett@ft.com. She created masks out of silicone of her mother, her father, her sister, her uncle, and a mask of herself with help from experts that were trained at Madam Tussauds in London. Signs, also known as Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say, was done between 1992 and 1993.To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the … Gorney Bravin & Lee. Self Portrait of Me Now in Mask. … Both these venues were about to undergo refurbishment which meant that a date couldn’t be fixed: therefore the dialogue would be ongoing. 534 West 26th Street, Chelsea. When respondents met Wearing, she supplied them with a range of costume elements, allowing them to … Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. She’s aged herself digitally, ‘worn’ her 17-year-old self, and seen actors ‘wear’ her using face-swapping AI. Nicole Wermers. Wearing's early childhood was also characterized by silence, as she did not feel that she learned to speak properl… It’s like any masked face you come across in train stations or at the supermarket, but the eyes are empty holes, and under the face covering is a second mask, realistic and made of smooth latex. Gillian Anderson joins in Bernie Sanders meme with iconic Sex Education post. ... showing several cast members wearing masks while … Inspired by documentaries, reality television, and the artifice of theater, Wearing describes her … In other works from the series, not included in this exhibition, she poses as her sister, grandmother, and seventeen-year-old self. Cahun’s 1927 self-portrait, with kiss curls on her forehead and hearts painted on her cheeks, is playfully teasing. With her varied, oeuvre-spanning show now open at Tanya Bonakdar Gallery in Chelsea, we're drawn to her tribute self-portraits as idols Andy Warhol, Diane Arbus, and Robert Mapplethorpe. Wearing is an established British conceptual artist who came to fame during the prominence of the YBA’s. Wearing's childhood was spent in Birmingham, where she lived with her parents and two siblings. Behind the mask: Gillian Wearing RA By Eleanor Mills Published 15 October 2014. “Gillian Wearing”, VICE, August 2016, Vol. Her films and photographs explore the nuances and complexities of the private and the public, … Statue of Millicent Fawcett Parliament Square, London ... Gillian Wearing & Claude Cahun: Behind the mask another mask, National Portrait Gallery, London, UK 2017. Artist Gillian Wearing Puts On Other People Tuner Prize winner Gillian Wearing is a master of disguise. In her new series of large, eerie photographs, the London-based, Turner Prize-winning Gillian Wearing continues to … Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask. The Modern Women's Fund. is at the National Portrait Gallery, London, 9 March-29 May Gillian Wearing, Me as Cahun Holding a Mask of My Face, 2012. Through Jan. 10. 45 1/2 × 35 1/8" (115.6 × 89.2 cm). Ahead of her latest exhibition, Wearing spoke about Cahun, feminism, and her “spiritual family” of artists with Nicholas Cullinan, director of the National Portrait Gallery in London, where Gillian Wearing and Claude Cahun: Behind the mask, another mask opens in March 2017. Gillian Wearing, for instance, has spent the past three decades making art about the masks we wear and the selves we construct. In 2003-2006, Gillian Wearing recreated photographs of her relatives that were found in her family album. Gillian Wearing. Wearing Gillian Gillian Wearing in collaboration with Wieden + Kennedy HD film for projection with sound 5 minutes 2018. Wong Ping. Call Gillian, in which participants poured out their deepest secrets whilst wearing masks from a fancy-dress shop. Gillian Wearing. Wearing was intrigued by the liberating, empowering effect of the masks upon her subjects – a revelation that would inform the Album series, as well as her 2000 work Trauma and her 2009 film Secrets and Lies, in which eight disguised figures recalled troubling experiences from their childhood. She grew up closer to her mother (whom she describes as "loving and supportive") than her father, writing of their relationship: "There was a little bit of separation between my parents, though they didn't divorce until many years later. Wearing began the project by placing an advertisement in the magazine Time Out that contained the text that makes up its title (minus the appended ‘Version II’). Gillian Wearing: The idea of a show at the Whitechapel was muted in 2006 with Iwona, just after Doris Krystof from K20 Museum in Düsseldorf had also invited me to do a survey show. Gillian Wearing – Self-Portrait at 17 Years Old, 2003 Signs. These silicone masks and costumes are uncanny! 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