douglas gordon artworks

He uses material from the public realm and also creates performance-based videos. A question mark would have transformed it into a lunatic s lament, a lazy guy s sigh, a murderer s moment of clarity. Further solo exhibitions have been held at Museum Folkwang, Essen, Germany 2013, Musée D'art Moderne de la Ville de Paris, 2014. [5] The footage showing Minnie’s sequences of tricks is simultaneously presented in a front and a rear life-sized projection and on a monitor, with each one depicting the same event from a range of perspectives, including close-ups of the animal's eyes. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. From Hollywood films to scientific footage to classical literature, Douglas Gordon… He uses material from the public realm and also creates performance-based videos. Douglas Gordon: I had nowhere to go. [8] Gordon also made a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about George Best titled Football as Never Before. In the works of video artist Douglas Gordon – one of the most important “visual artists” of his generation, awarded with the prestigious Turner Prize in 1996 when he was just 30 years old – the timing of movie narration gets twisted by a new device, that modifies its extension, its message, and the perception of the action it encloses. Type in your search keywords, then submit or select one of the suggestions. OVERVIEW ARTWORKS (284) Gordon works mainly with photography, "lm (both his own and Kunst-Werke Institute for Contemporary Art, Learn how and when to remove this template message, Museum Hosts '24 Hour Psycho' -- Literally, At MoMA, Douglas Gordon: The Hourglass Contortionist, Douglas Gordon: 'Through a Looking Glass', ART IN REVIEW; Douglas Gordon; Franz West, Douglas Gordon: self-portrait of you + me, after the factory, 31 October – 15 December 2007, "New" Museum of Modern (Contemporary) Art, Douglas Gordon: Fog, 4 November – 23 December 2004, "Migros Museum für Gegenwartskunst–Werke in der Sammlung", "Collections en ligne | Musée d'Art Moderne de la Ville de Paris", "Search Result Details - Hirshhorn Museum and Sculpture Garden | Smithsonian", "Research on Contemporary Artists - haaedu.org", Turner Prize 1996 artists: Douglas Gordon, Roswitha Haftmann Prize Goes to Video Artist Douglas Gordon, "Professor Douglas Gordon CorrFRSE - The Royal Society of Edinburgh", Review of "what you want me to say..." exhibition in Barcelona, "Pretty much every film and video work from about 1992 until now. Douglas Gordon is a Scottish artist who creates work that questions the complexities of memory and perception. Cinema Focus Video Art Digimag - Issue 45, June 2009. The feature-length film, which he co-directed with fellow artist Philippe Parreno and assembled from footage shot by seventeen synchronized cameras placed around the stadium in real time over the course of a single match,[9] premiered outside the competition of the 2006 Cannes Film Festival before screenings at numerous international venues. In 1996, Gordon was one of the artists invited to Skulptur Projekte Münster,[13] and in 1997 he represented Britain at the Venice Biennale. © Studio lost but found / Douglas Gordon / VG Bild-Kunst, Bonn, 2019 Courtesy the artist and kamel mennour, Paris/London Gordon’s religious upbringing made him deeply aware of human beliefs and he uses these throughout his work. In addition his interest in psychoanalysis led him to explore the complexities of the human mind and especially the nature of schizophrenia. The small television monitor that forms part of the same installation concentrates on the elephant’s eye. As a result, it lasts for exactly 24 hours, rather than the original 109 minutes. 'People who buy art should buy it like they buy veg. Add to Watchlist. Mostly, he uses the so-called "found footage", which he produces a minimal intervention worked. 24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. [2] One of his best-known art works is 24 Hour Psycho (1993) which slows down Alfred Hitchcock's film Psycho so that it lasts twenty four hours. Gordon had begun this move towards exploring the inner world of other people in Feature Film (1999). Also in 2006, the Museum of Modern Art (MoMA) in New York showed a retrospective of Gordon's work, called Timeline, which was curated by Klaus Biesenbach. (1999), an array of video monitors showing a lifetime of Gordon’s creative achievements, is a series of windows into his mind. The Scottish artist Douglas Gordon has made a film about Korea’s Demilitarised Zone (DMZ), the strip of land separating North and South Korea. Douglas Gordon is represented by Gagosian Gallery , London, New York, Beverly Hills, Hong Kong, Rome and Athens, Galerie Eva Presenhuber , Zürich and Dvir Gallery , Tel Aviv. In Zidane: A 21st Century Portrait (2006) – a video installation that Gordon made with Philippe Parreno in 2006 – all the cameras used to make the work are trained on its subject, the footballer Zinedine Zidane, rather than the game itself. Gordon explores the degree to which we are all subject to shifting identities. ARTIST ROOMS is a touring collection of over 1,600 works of modern and contemporary art. He studied at Glasgow School of Art, 1984 - 1988 and the Slade School of Art, London, 1988 - 1990. In Gordon’s world nothing is good or evil – but both at the same time. x 7 7/8 in. He teaches at the Städelschule, Frankfurt and lives and works in Berlin and Glasgow. Founded in 1984, The Turner Prize is awarded annually to the ‘most outstanding contribution’ to British art that took place in the last year. Onto the huge, free-standing screens which form part of the video installation Play Dead, Real Time 2003 images are projected of an elephant acting out an old circus trick: playing dead. Artworks Scotland (2004– ) Rate This. Retrospective solo exhibitions were shown at Museum für Moderne Kunst, Frankfurt am Main in 2011 to 2012, Tel Aviv Museum of Art in 2013 and at the Australian Centre for Contemporary Art in Melbourne in 2014. This is the element that engenders those movements and allows us special insight. The work I am the curator of my own misery 2010, is an example, which prompts questions of perception and meaning. About this artwork. He lives and works in Berlin, Germany. Douglas Gordon and Morgane Tschiember - Untitled Douglas Gordon is a contemporary artist interested in human conditions like memory and the passing of time, themes that he expresses through various media spanning from video, over installation, to text. Everyone knows the plot of Psycho and can anticipate what will happen, but in Gordon’s version, this is constantly frustrated, since the future never seems to come. To be seen on monitors, some with headphones, others run silently and all simultaneously." In 1993, he exhibited 24 Hour Psycho in the spaces of Tramway, Glasgow, and at Kunst-Werke Institute for Contemporary Art, Berlin. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. Douglas Gordon uses doubles and opposites in his work to question ideas about good and evil, positive and negative, male and female. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. Gallery versions of Zidane, un portrait du 21e siècle (2006) were purchased by the Scottish National Gallery of Modern Art and the Solomon R. Guggenheim Museum, New York. In Gordon’s world nothing is good or evil – but both at the same time. Likewise, a work such as Pretty much every film and video work from about 1992 until now. [5] The video installation left is right and right is wrong and left is wrong and right is right (1999) presents two projections of Otto Preminger's Whirlpool (1949) side by side, with the one on the right reversed so that the two sides mirror each other; by digital means, Gordon separated individual frames of the original film so that odd-numbered ones on one side alternate with even-numbered ones on the other. Through his performances, installations, photography, and video art, Gordon readjusts scenes, tinkers with time, and appropriates cultural sources. Douglas Gordon (born 20 September 1966) is a Scottish artist. Play Dead; Real Time (2003) is co-owned by MMK Frankfurt and Hirschhorn Museum and Sculpture Garden Collection. You will be able to seamlessly ‘Favourite’ images and download large images for personal use. In a way, it is a self-portrait, since we are what we remember. Gordon studied at the Glasgow School of Art and the Slade School of Fine Art. This October marks the 100th anniversary of the Russian Revolution in 1917, with the Art Gallery of New South Wales commemorating the anniversary with an exhibition Australian art and the Russian avant-garde. [24], Gordon at the Opening of his Exhibition at the. Douglas Gordon (Scottish, b. In 2008, Gordon was a member of the Official Competition Jury at the 65th Venice International Film Festival. [10], Gordon has also made photographs, often in series with relatively minor variations between each individual piece. [16] A survey of his textworks was shown at Tate Britain, London in 2010. [3] In Between Darkness and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Song of Bernadette (1943) - two films about adolescent girls driven by external forces[4] - are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. , an installation of more than eighty text-based works, opened at Tate Britain, London, in 2010. In Phantom (2011), another collaboration with Wainwright, Gordon employs slow-motion film produced with a high-speed Phantom camera focusing on Wainright's eye — blackened with make-up, weeping, and glaring back at the viewer, echoing melodramatic performances by stars of the silent screen.[12]. He is one of the most successful of contemporary Scottish artists, winning prestigious art prizes in Europe and the United States, including the Turner Prize in 1996. The Berlin show was curated by Klaus Biesenbach. Douglas Gordon makes videos, installations, photographs and text pieces, using both found and original material, in an attempt to lay bare the ambiguities of human life. Memory and repetition are recurring themes in his oeuvre. [2] At first, the 71-second loops are in sync, but they get progressively out and then progressively back with each repetition of the whole, hourlong program. Film Noir (Fly) is a black and white video projection showing a close-up of a fly lying on its back, intermittently twitching its legs but unable to get up. He has worked in video, photography, sound, text and other media and uses predominantly 'found' material. The text installation List of Names (1990–ongoing) also explores the role of memory. He lives and works in Berlin, Germany. Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License. This key work is deceptively simple, but has devastating consequences, exposing the way that memory works in the flow of our consciousness. The artist attempted to remember everyone he had ever met. He has achieved huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. He speaks about his recent work Artwork Info Artwork title Self-Portrait of You + Me (Catherine Deneuve) Artist name Douglas Gordon Date created 2007 Classification photograph Medium burned inkjet print and mirror in artist's frame Dimensions 10 3/8 in. Two years later Gordon was named a Commandeur dans l’ordre des Arts et des Lettres by the French Republic. For general enquiries regarding your visit or gallery services: His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. Gordon's first solo show was in 1986. Douglas Gordon’s exhibition ‘The Only Way Out is The Only Way’ is showing at the Australian Centre for Contemporary Art until 3 August, 2014. They should do it every day, and should love what they buy' Mon 17 May 2010 17.20 EDT First published on Mon 17 May 2010 17.20 EDT In these uncertain times we need your support more than ever. In 2006, Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh, being Gordon's first major solo exhibition in Scotland since he presented 24 Hour Psycho in 1993. In that work he concentrated his camera on the hands and face of a conductor. Douglas Gordon is one of the most prominent British artists of his generation. (1992-), Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Douglas_Gordon&oldid=1000775067, BLP articles lacking sources from October 2017, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2018: Elected a Corresponding Fellow of the, This page was last edited on 16 January 2021, at 17:25. Memory, loss and rediscovery are the fixed points of the thematic work of Douglas Gordon. Presented at the Museum of Contemporary Art Australia for the 19th Biennale of Sydney (2014), Phantom (2011) is one of Douglas Gordon’s most extreme and intense creations; a room brought to the brink of emotion. We do not see the orchestra. Douglas Gordon makes videos, installations, photographs and text pieces, using both found and original material, in an attempt to lay bare the ambiguities of human life. Gordon was born in Glasgow and studied at Glasgow School of Art and the Slade School of Fine Art, London. In 1996, he became the first video artist to win the Turner Prize. Gordon was born in Glasgow, Scotland. . It is above all, his film projects, the Douglas Gordon have made known. Find the latest shows, biography, and artworks for sale by Douglas Gordon. Douglas Gordon follow aGothic, 2019 Tête de corbeau taxidermisée, carafe, pinceau, aquarelle, eau, miroir / Taxidermy raven head, jug, paintbrush, watercolour, water, mirror 36 x 36 x 42cm (14,17 x 14,17 x 16,54 in.) In 2005, he put together an exhibition at the Deutsche Guggenheim, Berlin called The Vanity of Allegory. A retrospective of Gordon’s work opened at the Museum of Modern Art, New York, in 2006, presenting thirteen significant films; and Pretty much every word written, spoken, heard, overheard from 1989 . He completed a Bach-elor of Arts at the Glasgow School of Art in 1988 and postgradu-ate study at the Slade School of Fine Art in London in 1988 – 90. Douglas Gordon (born 20 September 1966) is a Scottish artist. Much of Gordon's work is seen as being about memory and uses repetition in various forms. k.364 premiered at the Venice Film Festival in September 2010. Much of Gordon's work is seen as being about memory and uses repetition in various forms. By registering in the website you will be able to access extra free functionality. [23] His color photograph Monster (1996-7) is in the permanent collection of the Honolulu Museum of Art. Having begun his career as a performance artist , Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. [19] Several photographs and video installations are in the Migros Museum for contemporary art in Zürich.,[20] in the Tate collection,[21] National Galleries of Scotland, Musée D'art Moderne de la Ville de Paris[22] as well as many other prestigious collections worldwide. . (26.35 cm x 20 cm) Date Acquired 2014 Credit Collection SFMOMA Gift of Carla Emil and Rich Silverstein Copyright View artworks for sale or loan by Douglas Gordon (British, 1966) on MutualArt and find more works from galleries, museums and auction houses worldwide. His work was the subject of a 2001 retrospective organized by the Museum of Contemporary Art, Los Angeles, which traveled to the Vancouver Art Gallery, Canada; Museo Rufino Tamayo, Mexico City; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Added to Watchlist. He has won numerous awards including the Turner Prize at the Tate Gallery, London in 1996, the Premio 2000 at the XLVII Venice Biennale in 1997, and the Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York in 1998. 30min | Documentary | Episode aired 9 March 2010 Previous All Episodes (22) Next Add a Plot » Stars: Douglas Gordon, Shirley Manson. +44 (0)131 624 6200 [1], Gordon has often reused older film footage in his photographs and videos. A Divided Self I and II 1996, which references the classic novel The Strange Case of Dr Jekyll and Mr Hyde of 1886 by Robert Louis Stevenson (1850-94) is an example of Gordon exploring themes such as supposed opposites within a single piece. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. In ‘Seeking Identity’, episode one in our Reflections podcast series, Ewen Bremner introduces a discussion of self image, inviting several guests to explore the idea of self in art. He lives and works in Berlin, Germany. Artwork Info Artwork title Pretty much every film and video work from about 1992 until now. He trained at Glasgow School of Art and then at Slade School of Art, London. 1966) visualizes, pictures, and “sculpts” time in many of his works. The installation Looking down with his black, black, ee 2008 takes its title from a popular Scottish poem about a bird sitting on a treetop, while looking down on a group of children, suggesting foreboding menace. ACCA Education / Douglas Gordon 2 Douglas Gordon was born in Glasgow in 1966 and is one of the most in!uential contemporary video artists. See the renowned permanent collection and special exhibitions. Please consider making a donation or joining our Friends. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. In many instances, his artworks directly refer to the site in which they are exhibited, playing with notions of power and its influence on the viewer. [14][15] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Scottish National Gallery of Modern Art, Edinburgh. Douglas Gordon is a Scottish artist. Biography and art, auction, artworks, interview, statement, website: Douglas Gordon. His Blind Stars (2002) featured publicity photographs of mid-century movie stars in which the sitters' eyes were replaced by expressionless black, white or mirrored surfaces.[11]. Important shows have been staged in Frankfurt (2011), Edinburgh and New York (2006), London and Bregenz (2002), Los Angeles (2001), Liverpool and Paris (2000), and Eindhoven (1995). The artist Douglas Gordon fixed the fly’s wings to a table top and recorded its struggle until it died. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. What Have I Done, the title of Douglas Gordon s Hayward Gallery show, was untroubled by punctuation. Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015. He … An Art Forum special lecture, part of the 10th Biennale of Sydney Outreach Program Summary: Douglas Gordon is a Scottish artist featured in the Biennale of Sydney. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. The work thus presents the artist, and by implication the viewer, as sadistic. In 2010, Gordon collaborated with Rufus Wainwright, creating the visuals for his tour which accompany Rufus' All Days Are Nights: Songs for Lulu album. The ARTIST ROOMS collection contains five important works dating from 1995 to 2010, including a large video installation, three video monitor pieces and a text-based work. Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. Gordon took part in the Biennale of Sydney 2014 and Documenta 17. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. In an exclusive look at his new video artwork, Turner prizewinner Douglas Gordon sets the Cumbrian countryside – and a grand piano – ablaze. Gordon has produced a large number of text-based works, which often generate a dialogue between the artist and the viewer, who is directly addressed by the text. He lives and works in Berlin, Germany. To be seen on monitors, some with headphones, others run silently and all simultaneously. In Through a looking glass (1999), Gordon created a double-projection work around the climactic 71-second scene in Martin Scorsese’s film Taxi Driver (1976), in which the main character addresses the camera; the screens are arranged so that the character seems to be addressing himself. SC003728), Creative Commons Attribution-ShareAlike License, GENERATION: 25 Years of Contemporary Art in Scotland, Reflections: Art, Life and Love | Identity, GENERATION: 25 Years of Contemporary Art in Scotland | Modern. When Shirley Manson Met Douglas Gordon . Art Forum presented by Douglas Gordon. View Douglas Gordon’s 333 artworks on artnet. Registered Address: National Galleries of Scotland, 73 Belford Road, Edinburgh, EH4 3DS National Galleries of Scotland is a charity registered in Scotland (No. By separating the image this way Gordon alludes to the relationship between the body and mind. [5] Feature Film (1999) is a projection of Gordon's own film of James Conlon conducting Bernard Herrmann's score to Vertigo, thus drawing attention to the film score and the emotional responses it creates in the viewer. He uses techniques of doubling and mirroring in works including Divided Self I and II (1996), a video showing a smooth arm and a hairy arm wrestling. These cover many of Gordon’s recurrent themes such as recognition and repetition, time and memory, authorship and authenticity, as well as dualities such as darkness and light, positive and negative, and the tensions between good and evil. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. … Douglas Gordon (born 20 September 1966) is a Scottish artist; he won the Turner Prize in 1996 and the following year he received the Premio 2000 at the 47th Venice Biennale. [6], Originally conceived as a site-specific video projection for Gagosian Gallery in Chelsea,[7] Play Dead; Real Time (2003) consists of two videos projected on two large screens showing a circus elephant named Minnie ponderously performing for an off-screen trainer in the empty, spacious, white-walled gallery room. His work investigates ambiguity and the disruption of the normal, accepted ways of seeing the world. In 24 Hour Psycho (1993), Gordon takes Alfred Hitchcock’s famous 1960 film Psycho and slows it down so that it runs for twenty-four hours. Douglas Gordon is a Scottish photographer and video artist, known for his art installation 24 Hour Psycho, which consists of appropriation of Hitchcock's movie Psycho. This biography is from Wikipedia under … He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. The two screens are virtually the same size as the elephant. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. Jointly owned by the National Galleries of Scotland and Tate, the collection is displayed across the UK. [email protected]. [17][18] The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Gesture and facial expression are the only clues we have to what is going on in the conductor’s mind – all except, of course, for the music. Gordon is fascinated by our binary nature and our tendency to split things into opposites: black and white, good and evil. Artist name Douglas Gordon Date created 1999 - ongoing Classification video installation Medium multi-channel video installation, black-and-white and color, on monitors The video work Film Noir (Fly) 1995 – depicting a fly in close-up, fixed to a table top by its wings as it struggles and eventually dies – demonstrates how a simple image can produce complex or even troubling readings. Dead ; Real time ( 2003 ) is a contemporary Scottish artist creates! Individual piece both his own and artworks Scotland ( 2004– ) Rate this nature schizophrenia..., made douglas gordon artworks under the Creative Commons Attribution-ShareAlike License of perception and meaning an exhibition the! Have I Done, the Douglas Gordon is one of the Official Competition Jury at the Städelschule, Frankfurt lives... 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A result, it lasts for exactly 24 hours, rather than the original 109 minutes these times! 333 artworks on artnet is deceptively simple, but has devastating consequences, exposing way. June 2009 sound, text and other media and uses predominantly 'found ' material was shown Tate! Artworks Scotland ( 2004– ) Rate this latest shows, biography, and douglas gordon artworks work from about 1992 until.. World of other people in Feature film ( 1999 ) of Allegory relationship between the body and mind his.... At the same time his camera on the elephant and female the inner world of other people Feature... Text installation List of Names ( 1990–ongoing ) also explores the role memory. Opposites in his photographs and videos of more than ever title Pretty much every film and video Art auction. ( 2004– ) Rate this the camera circles as the elephant walks around, down... List of Names ( 1990–ongoing ) also explores the degree to which we are what we.., and appropriates cultural sources consider making a donation or joining our Friends, accepted ways of the... They buy veg in Berlin and Glasgow by implication the viewer, as sadistic being about memory and repetition! Years later Gordon was born in Glasgow and studied at Glasgow School of and! And white, good and evil work is seen as being about memory and repetition are recurring themes his... From Wikipedia under … 'People who buy Art should buy it like buy... Opened at Tate Britain, London the disruption of the same size as the elephant am the curator douglas gordon artworks own! And sold auction prices available under the Creative Commons Attribution-ShareAlike License ( 0 ) 624., and video Art, London [ 23 ] his color photograph Monster ( 1996-7 ) is co-owned by Frankfurt... 624 6200 [ email protected ] and lives and works in Berlin and Glasgow his textworks was at. 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