Additional details: Ruskin and the Light of Nature Exhibition poster, Condition Report:
Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. The Angel in the House, Lot 318: John Ruskin (1819 - 1900). Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. "Lee Sea 3700 is the Glorious Matterhorn = by Lee Sea, Mt Rosa is 15000", Watercolour, Indistinctly Inscribed, 7.25" x 9.5". She ought to look sad - and very sad - and that for many a day to come - For all days to come, in this world... ', the final letter beginning 'I was greatly pleased by your last note, saying you were still so cheerful - and up to theatricals and what not. Much of his wealth he devoted to the 'Guild of St. George', which he founded, and other schemes of social welfare. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. £3,000 - £5,000, Description:
Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. Ruskin was named as an executor of Turner’s will, and it is through the Turner Bequest that the National Gallery received over 19,000 of his paintings and sketches. Ruskin (John, 1819-1900). Lot essay: In concluding Ruskin remarks that his correspondent's letter of 18th March has just arrived and that he will give a picture some thought. We've shipped over 1 million items worldwide for our 500,000+ artists. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE. Ruskin', Winn[ingto]n, 12 October , to his mother Margaret, I was pleasantly surprised by the packet this morning - with your pretty little notes on the two ends. (E.T. Lot 314: Ruskin (John, 1819-1900). The Angel in the House; The Betrothal, [by Coventry Patmore], 1st edition, 1854, signed presentation inscription from John Ruskin to front free endpaper, 'To Lily [Armstrong, later Kevill-Davies], who has taught to her Brothers & Sisters the meaning of this Books name, John Ruskin, Brantwood, 26th Sept. 1872', gilt-gauffered edges, upper inner hinges near broken, contemporary purple velvet over boards with moire silk doublures, spine faded, 8vo The phrase 'Angel in the House' comes from the title of this immensely popular poem by Coventry Patmore, in which he holds his angel-wife up as a model for all women. John Ruskin (1819 - 1900) England.
The Stones of Venice. John Ruskin was a leading Victorian art critic. Follower of John Ruskin (1819-1900) British. Slight foxing. Ruskin (John, 1819-1900). 3 volumes. a little spotting to marbled sides and page edges ; spines a trifle faded Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Detail, John Everett Millais, Portrait of John Ruskin, 1853-4, oil on canvas, 78.7 x 68 cm (Ashmolean Museum, Oxford) Millais’s Portrait of Ruskin is an intimate glimpse at one of the most important figures in the Victorian art world. John Ruskin is known for Watercolor painting, draughtsman, writing. 1952; Evans, C. Kangchenjunga the untrodden peak. After A Drawing By Alexander Macdonald Print, John Ruskin British, 8 February 1819 - 20 January 1900 Print, John Ruskin, 8 February 1819 20 January 1900 Print, John Ruskin Early Home Of The English Print, John Ruskin Home Of The English Art Print, John Ruskin English Art Critic And Print, Rouen River Seine and its Islands from Cantele Print, W.b. British cultural critic John Ruskin's sexuality has led to much speculation and critical comment. Condition Report:
The Stones of Venice. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Description:
Ad leaves not retained when rebound. Between Verona and Vicenza / stopping in Railroad - Feb. 24th 1852. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. Ruskin', 'Birdie' or 'Di Pa', all to Lily [Armstrong] including 6 after her marriage in 1875, 1865/1889. I was not wrong about the little blue-striped frock - it has been made in Paris for her, & sent over: but it isn't showy in the least; only just right... ', 2 pp. First Editions.
Ruskin's famed treatise on Venetian art and architecture. John Ruskin (1819 - 1900). 1957; Marquess of Douglas and Clydesdale The pilots' book of Everest. SIGNED BY RUSKIN AT THE END OF THE PREFACE. Measure 14 1/4"in H x 19"in W and 21 1/2"in H x 25"in W with frame, Condition Report:
Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. Autograph Letter Signed. Penguin, 1947- 53. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. Ruskin's wife Euphemia 'Effie' Gray later married Millais – a story that scandalised Victorian high society. Medieval rooftops. Condition report: Under glass and with a little browning and loss of colour. Watercolor and Pencil on Paper. But Ruskin had finished" (PMM). £1,000 - £1,500, Description:
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. The Eagle's Nest. Ruskin, John Examples of the architecture of Venice. / bought fr [from] Brief Autograph Letter Signed, on 2 5/8" x 4 paper, to Mr. Allen, Jan. 28, 1856. Bindings secure. 19th century. £4,000 - £6,000. Ruskin (John, 1819-1900).
In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality.
22.3x15 cm (8¾x6") half green calf and marbled boards, gilt-lettered morocco spine labels, gilt-decorated spines, top edges gilt, other edges untrimmed. These principles enabled him, incidentally, to appreciate and defend the Pre-Raphaelites, then the target of violence and abuse.To Ruskin the relationship between art, morality and social justice was of paramount importance and he increasingly became preoccupied with social reform. Description:
Silk ribbon to volume IV. 4to. Ruskin’s parents were both fiercely ambitious for him and his childhood was characterised by their contrasting influences on him. Description:
Send me now a printed statement up to end of 1882 such as you would make if I were dead', a total of 8 pages on 4 bifolia, 8vo, two with original addressed and postmarked envelopes, together with a secretarial letter from John Ruskin to George Newlands, two copy letters, plus some related printed ephemera and other George Newlands manuscript accounts, etc. Description:
Attributed to John Ruskin The present Amboise falls within the period of the early 1840s, when Ruskin was deeply influenced by the work of Joseph Mallord William Turner, to the extent of attempting to capture Turner's style. Description:
Lot 29: English School "Portrait Of John Ruskin", Lot 31: RUSKIN, John (1819-1900). £1,200 - £1,800. A group of 4 autograph letters signed 'J. Errata slip tipped in at rear of Volume 1. watercolor on paper Amboise, c. 1840-45 Description:
Lot 311: *Ruskin (John, 1819-1900). three to George Newlands and one to [Egbert] Rydings, all concerning the Guild of St. George, the undated letter reading, 'I shall be entirely glad to receive any Companions, for my Companions who can prove to me they will be faithful to its principles - whether they can give money or not', the others concerning accounts of the Guild, etc., the letter to Rydings reading in part, 'You are Mr Baker and Mr Williams must carry out your statement as well as if I were dead. Ruskin, John Works. 5 volumes, octavo (256 x 173 mm). The Guildspeople (I've told you all that again and again). Sunnyside: G. Allen, 1886-87 [vol. Two autograph letters signed, 'J. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. 4to, number 113 of an unspecified number, original leather-backed pictorial boards; [Grolier Society] The Holy Bible. His later works, eg. Lectures on Art Delivered before the University of Oxford in Hilary Term, 1870, 1st edition, Oxford University Press, 1870, errata slip tipped in at rear, author's presentation inscription to front free endpaper, 'Lily Armstrong with St. C's love, 1870', all edges gilt, contemporary dark blue calf with five raised bands and blind-stamped floral motifs, the fifth compartment with gilt stamp 'R' and '1', heavily rubbed and marked, 8vo St. C is an abbreviation for St. Crumpet, the pet name that the young Rose La Touche had given Ruskin and which he continued to use. 53 plates, several hand-colored. That light the Loire with sunset last; In this watercolor, he carefully studied the decorative columns of Venice's most famous Gothic loggia (a covered exterior gallery), as well as showing Saint Mark's Basilica in the distance. He several times proposed marriage to Rose, but she rejected his offers, partly on religious grounds. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Sign in to view your bids, favorites & more! Condition Report:
In October 1861 she fell ill, possibly from anorexia nervosa, which eventually killed her in 1875. The altar of St. Hubert's shrine Experience. Ruskin', 'Birdie' or 'Di Pa', all to Lily [Armstrong] including 6 after her marriage in 1875, 1865/1889, mostly addressed to Lily but with three addressed as Old Bear or Bearie, the three pre-marriage letters written from Denmark Hill, one other also probably from London, the last five from Brantwood, Coniston, Lancashire, the first saying that 'I should like to see you dance in Awake, awake - and to hear you talk about Lantie... ', the second beginning 'Yes, Miss La Touche is my old rose - I saw her often - this time two years ago. In The Seven Lamps Of Architecture (1849) and The Stones Of Venice (1851) he similarly treated the fundamentals of architecture. At his third attempt Ruskin won the Newdigate Prize with this poem, beating Arthur Hugh Clough. Three autograph letters signed, 'J. Ruskin', Winn[ingto]n, 12 October . About EX Arthur Severn (1842-1931) British Artist who, in 1871, had opportunistically married one of Ruskin’s cousins, Joan Ruskin Agnew (1846-1924). Some small spots. There is the ocassional minor foxmark but these can only be seen on very close inspection. His first great work, Modern Painters (5 volumes, 1843-60), began as a passionate defense of Turner's pictures, but became a study of the principles of Art. Ruskin is believed to to have sketched or painted Rose at least three times. 2 volumes, large 8vo, number 389 of 520 copies, 85 engravings by Eisen, original cloth, t.e.g., spines faded; Mathers, E.P. Ruskin announces 'I have been forgetting both Margaret's and my mother's money this month' and continues 'George has plenty now ready to pay in when needed, so don't let my balance go low - please take 50 of enclosed cheque (no longer present) for Margaret & take 100 out to my mother any day you like - and send 100 to me in £25 notes (not 20s) here'. Description:
Cultural Heritage Photographer University of Michigan Library. The only good in me is that up to that point, I would always infinitely rather have it myself, than that anybody I love should have it. I was fancying you - might be beginning to feel a little in need of a week or two with your old birdie; but it is rather well you are otherwise engaged just now - for I am able for very little excitement, and I find the sudden heat of summer that has come on us, makes me very languid, and I think it would make me too sad, and ashamed of myself besides, not to be able to get about with you and Violet - so you must not come till I feel stronger... ', a total of 19 pages, the first two letters with blank areas of one leaf trimmed away, scattered minor spotting and splits on folds, 8vo All published in 'The Winnington Letters', letter numbers 385, 440, 500, 529, 530 & 538-541. Lion & Unicorn Press, 1968. Lot 86: 26 vol set of Ruskin's Works finely bound, Lot 89: John Ruskin (1819 - 1900) Britain - Modern Painters, Lot 100: John Ruskin (1819 - 1900) England, Lot 101: JOHN RUSKIN | Study of a Sprig of a Myrtle Tree, Lot 107: RUSKIN JOHN: (1819-1900) English Author, Poet, Artist and Critic.
[ART HISTORY]. With blank integral leaf. There are two small nicks to the upper right corner and some minute surface stains to the lower edge. ~ John Ruskin. The sheet, which is particularly impressive in its unusually large scale, remains in remarkably good condition throughout. [sic] AUD ($) Brookline, MA. Lot 194: JOHN RUSKIN | Ariccia, near Rome. C: Several Signs of use and handling, some visible marks, Estimate:
The condition was rated C: Several Signs of use and handling, some visible marks. TAKE OUT TO SEE IF INSCRIBED ON THE REVERSE. See more ideas about john ruskin, ruskin, english art. London: Smith, Elder & Co.,, 1851. Description:
Ruskin, John Works.
Nepal Himalaya. Condition Report:
About the scene, Ruskin declared that '[T]he chapel, which crowns the precipice, though small, is one of the loveliest bits of rich detail in France. Watercolor over pencil; Ruskin', Brantwood, Coniston & Oxford, January to March 1883 and one undated, Lot 279: Attrib. 1956; Hillary, E. High adventure. Our condition report has not been prepared by a professional conservator, restorer or engineer. Watercolor on paperboard. He was an artist, art critic, amateur geologist, a … Unsigned. He wanted Ruskin set against a rocky landscape with flowing water, in the style of Turner. In Praeterita he described the now lost preparatory drawing for the finished watercolor as 'highly laboured' and ''out of my head'; representing the castle as about seven hundred feet above the river, (it is perhaps eighty or ninety,) with sunset light on it, in imitation of Turner; and the moon rising behind it, in imitation of Turner; and some steps and balustrades (which are not there) going down to the river, in imitation of Turner; with the fretwork of St. Hubert's Chapel done very carefully in my own way, - I thought perhaps a little better than Turner.' G. Allen, Jan. 28, 1856 which are printed in the Seven Lamps of architecture ( 1849 and! Conditions of Sale lights and do not effect the composition remains good, not examined out of.. His efforts 's famed treatise on Venetian art and architecture religious grounds leading Victorian art,... Leather-Backed pictorial boards ; [ Penguin Books ] the Holy Bible modern Painters a email. 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